Miguel and UsdiYona cautiously moved into the subway car (or the twilight aspect of it at least).
Once inside, they could see that the subway car had been made into some swanky-looking bachelor pad - complete with red and black artistic décor, reminiscent of the nightclub's 'perdition' theme above.
A huge round bed dominated the center of the car - the passenger seats of which had all been removed - and both the bed and floor was covered in Siberian white tiger-skin rugs.
Huge elephant (or demon?!?) tusks of ancient appearance, and gold candle-stands with more giant candles, framed a large stone sarcophagus at the far end, while a life-sized red brass statue of Baphomet - a satanic-looking figure with a goat's head, black wings, and full breasts of all things, was set up in the entryway.
Painted on the windows behind the large statue was the Sabbatic Goat - or Sigil of Baphomet.
To the side of the car, one of the tiger-skin rugs had been moved, to reveal an open trapdoor in the floor. The trapdoor appeared to lead simply to the ground beneath the car, on one side of the tracks. It could be an escape hatch, but something seemed unusual about the ground under the trapdoor - as if it was not your run-of-the-mill dusty construction gravel. In fact, it actually looked quite rich, like someone had emptied a truckload of a dark woody planting soil of some kind under the subway car.
As for the vampires, none were in sight, but when UsdiYona peered into the shadow (something Miguel could not do apparently), she saw some non-descript distant movement, hurrying away down dark cavernous passages.
Scary dark cavernous passages.
